Scope and Contents From the Collection: This stereograph collection is comprised of 513 stereographs that date from approximately 1846-1940. There are stereoviews from 24 different publishers and photographers, made up of donations from a many different donors, many unknown. Additionally, there are 21 images with no identifying information at the end of the finding aid. Stereograph publishers often bought other photographers’ negatives, and there was much sharing and republishing of the work of certain photographers, sometimes...

Scope and Contents From the Collection: This stereograph collection is comprised of 513 stereographs that date from approximately 1846-1940. There are stereoviews from 24 different publishers and photographers, made up of donations from a many different donors, many unknown. Additionally, there are 21 images with no identifying information at the end of the finding aid. Stereograph publishers often bought other photographers’ negatives, and there was much sharing and republishing of the work of certain photographers, sometimes...

Scope and Contents From the Collection: This stereograph collection is comprised of 513 stereographs that date from approximately 1846-1940. There are stereoviews from 24 different publishers and photographers, made up of donations from a many different donors, many unknown. Additionally, there are 21 images with no identifying information at the end of the finding aid. Stereograph publishers often bought other photographers’ negatives, and there was much sharing and republishing of the work of certain photographers, sometimes...

Scope and Contents From the Collection: This stereograph collection is comprised of 513 stereographs that date from approximately 1846-1940. There are stereoviews from 24 different publishers and photographers, made up of donations from a many different donors, many unknown. Additionally, there are 21 images with no identifying information at the end of the finding aid. Stereograph publishers often bought other photographers’ negatives, and there was much sharing and republishing of the work of certain photographers, sometimes...

Scope and Contents

Mostly images of Yosemite and San Francisco. There are also views of the Farallone Islands (i.e., Farallon Islands), Mono Lake, Devil's Tea Kettle at Geyser Springs, and various images of the Central Pacific Railroad. Includes one photo of Wasatch Mountains in Ogden, Utah.

Scope and Contents From the Collection: This stereograph collection is comprised of 513 stereographs that date from approximately 1846-1940. There are stereoviews from 24 different publishers and photographers, made up of donations from a many different donors, many unknown. Additionally, there are 21 images with no identifying information at the end of the finding aid. Stereograph publishers often bought other photographers’ negatives, and there was much sharing and republishing of the work of certain photographers, sometimes...

Scope and Contents Primarily landscape views of Yosemite and Mendocino County. There are several images of Calaveras Big Trees and logging, including one photo taken in Fresno County. There is one photo of the Hotel and Post Office at Fisherman's Bay in Sonoma County and one Russian Hill view of Telegraph Hill and Washington Square in San Francisco. One photo of indigenous people of California from an unidentified tribe pictured with their homes in Mendocino County. One photo of "skeleton leaves" - a...

Abstract This is a collection documenting the history and production of stereographs by various publishers and photographers throughout the United States, but especially in California. The items in the collection date from approximately 1846-1940, when stereograph technology began to be replaced by moving images, and depict a variety of extremely wide-ranging subjects, from the 1906 San Francisco earthquake to the building of the Panama Canal. The West, as a landscape and a subject of interest, is...

Abstract Thomas Houseworth and Co. is the company continued by Thomas Houseworth after his partner George Lawrence retired in 1869. Houseworth was an optometrist and stereograph merchant located in San Francisco, Calif. The images in this collection contain reprints of Lawrence and Houseworth images, as well as newly created images. Houseworth was a major player in the stereograph market until the early 1870s, and he took numerous measures to make sure his work remained viable, including introducing...